BADDEST DOMAIN (PERSPECTIVE) on Abdoulie Attack Gaye’s “PUTTIN” CONCERT ANALYSIS.
Amidst the resounding applause for Abdoulie Attack Gaye’s “PUTTIN” concert, BADDEST DOMAIN offers a comprehensive perspective on the event. The congratulatory tone is set, acknowledging Attack’s commendable efforts in staging a remarkable concert despite the limited time for event declaration. However, his analysis doesn’t shy away from drawing comparisons, noting that Jizzle’s crowd still holds the record as the largest for now.
The analysis dissects various aspects of the concert, highlighting Attack’s endeavours in tempting variables, colourful spectacles, and dynamic output.
The opening acts take centre stage in the critique, with Katato Suso’s mature and unique play-back style stealing the spotlight. The piece delves into the time management issues during the opening segment, pointing out the discrepancy in the order of performances and the impact on major artists who couldn’t take the stage.
The article also addresses concerns about unpleasant behaviour and inappropriate language during performances, particularly in the presence of elders at corporate tables. The critique extends to the choice of multiple MCs, urging organisers to reconsider their roles and language use. Despite these observations, BADDEST DOMAIN praises Attack’s breathtaking entrance, his band’s great performance, and the surprise appearance of his mother from Germany.
The analysis applauds Attack’s stability on stage, control power in managing performances, and collaborative efforts with other artists. It recognises the impact of Attack’s collaborations, especially with Gambian artists like Jizzle, on his career’s upward trajectory. The article concludes with an invitation to follow BADDEST DOMAIN’s live analysis on Facebook, promising an in-depth discussion centred on this issue.